Daniel Ignacio
Production sound for film & broadcast
Metro Detroit, Michigan
Since 2016
Since 2016
I am a production sound mixer and boom operator for film, and A1 and A2 for broadcast.
For two years, I’ve worked on indie shoots, TV production trucks, big-budget movies, and in multi-camera television studios.
For two years, I’ve worked on indie shoots, TV production trucks, big-budget movies, and in multi-camera television studios.
Credits
Production sound mixing
One Sweet Night
scripted short film
dir. Daniel Pfeffer
prod. Tinisha Brugnone
scripted short film
dir. Daniel Pfeffer
prod. Tinisha Brugnone
Ford Hall of Fans: Detroit Lions (B Unit)
television/online commercial
prod. Ford Motor Company & Bleacher Report
television/online commercial
prod. Ford Motor Company & Bleacher Report
Skit This!
scripted television
dir. William Gallego
prod. Miguel Ortiz
scripted television
dir. William Gallego
prod. Miguel Ortiz
The Children’s Center
promotional video
prod. Eden Sabolboro
promotional video
prod. Eden Sabolboro
Rebuilding Detroit
reality television
dir. Jeremy Wagener
prod. Martin Szumanski
reality television
dir. Jeremy Wagener
prod. Martin Szumanski
Ghosts
scripted short film
dir. Josh Buoy
prod. Snowday
scripted short film
dir. Josh Buoy
prod. Snowday
The Patron
scripted television
dir. Michael Steinbeck
prod. Bill Elverman
scripted television
dir. Michael Steinbeck
prod. Bill Elverman
Watch samples of my production sound mixing.
Boom operation
The Eden Theory
feature film
dir. Kyle Misak
feature film
dir. Kyle Misak
Strain 100
feature film
dir. Hassan Hussein
feature film
dir. Hassan Hussein
Broadcast (A1 / A2)
ESPN3 / Eastern Michigan University Athletics
A1 (live stream / production truck)
Eastern Michigan University
A1 (live stream / production truck)
Eastern Michigan University
Detroit City FC
A1 (live stream / production truck)
Good Problem Productions
A1 (live stream / production truck)
Good Problem Productions
Background
Eastern Michigan University
Electronic Media & Film, B.S.
2014‒2019 · Trained in film, studio TV, ENG, audio engineering
Electronic Media & Film, B.S.
2014‒2019 · Trained in film, studio TV, ENG, audio engineering
ESPN3 Production Crew Intern
Eastern Michigan University Athletics
2018 · Specialized in A1 / A2, ENG packages, under direction of Erik Beehler & Melina Fuentes
Eastern Michigan University Athletics
2018 · Specialized in A1 / A2, ENG packages, under direction of Erik Beehler & Melina Fuentes
Also freelancing as camera utility for sports broadcast since 2018
Equipment
Mixer/recorder
- Zoom F4 field recorder
Four main inputs, isolated + mix tracks, two main outputs, reads timecode
Boom microphone
- Sennheiser MKH 50-P48 super-cardioid microphone
- K-Tek boom poles
- Rycote shock mount
- Bubblebee Industries wind protection
Lavalier microphones*
- Sanken COS-11D lavaliers
- Lectrosonics LT transmitters
- Lectrosonics SRc receivers
IFB monitoring*
- Comtek PR-216 personal receivers
- Comtek M-216 Option P7 transmitter
Timecode
- Betso TCX-2+ wireless timecode transceivers
- Denecke TS-C timecode slate*
Camera hop*
- Sennheiser SK 100 G3 receiver
- Sennheiser EK 100 G3 transmitter
Support
- Audioroot BG-DU power distributor
- Remote Audio Hi-Q batteries
- K-Tek Stingray audio bag
- Versa-Flex audio bag harness
- Canare star-quad XLR cables with Neutrik EMC anti-RF connectors
- Sennheiser HD 25 headphones
- Remote Audio boom pole holder for C-stands
Boom operation
- Conterra chest harness
- 3M Transpore medical tape
- Fiskars non-stick scissors
- Sennheiser HD 25 headphones
- Setwear gloves
- Brooks Sports shoes
I can always supplement my kit with rented gear from shops and owners I trust.
*Denotes equipment rented on my behalf.