Production sound for film & broadcast
Metro Detroit, Michigan
I am a production sound mixer and boom operator for film, and A1 and A2 for broadcast.

For two years, I’ve worked on indie shoots, mobile TV production trucks, big-budget movies, and in multi-camera television studios.
I love the challenges that come with delivering quality sound for picture, and I dedicate much of my time to finding new solutions.

You can always reach me by email and call/text. I’m down to chat.


Production sound mixing
One Sweet Night
short film
dir. Daniel Pfeffer
prod. Andrew Colom
The Patron
web television pilot
dir. Michael Steinbeck
Drop Shadow Productions
short film
dir. Josh Buoy
short film
dir. Heather Irvine
WSF Productions
Small Fish
short film
dir. Jake Weber + Camron Combs
WSF Productions
Life Cycle
short film
dir. Camron Combs
Eagle Filmmakers Association
See samples of my production sound mixing.
Boom operation
The Eden Theory
feature film
dir. Kyle Misak
Throwback Pictures
Strain 100
feature film
dir. Hassan Hussein
Plan Ahead Productions
Broadcast (A1 / A2)
ESPN3 / Eastern Michigan University Athletics
A1 (live stream / production truck)
dir. Erik Beehler
Eastern Michigan University
Detroit City FC
A1 (live stream / production truck)
Good Problem Productions


Eastern Michigan University
Electronic Media & Film, B.S.
2014‒2018 · Trained in film, studio TV, ENG, audio engineering
ESPN3 Production Crew Intern
Eastern Michigan University Athletics
2018 · Specializing in A1 / A2, ENG packages


For production sound mixing

  • Zoom F4
    Four main inputs, isolated + mix tracks, two main outputs, timecode capability

Boom microphones

  • Sennheiser MKH50-P48 super-cardioid
  • Rode NTG2 shotgun
  • K-Tek boom poles
  • Rycote shock mounting
  • Bubblebee Industries + Rycote wind protection

Lavalier microphones*

  • Sanken COS-11D lavaliers
  • Tram TR-50 lavaliers
  • Lectrosonics LT transmitters
  • Lectrosonics SRc receivers

IFB monitoring*

  • Comtek PR-216 personal receivers
  • Comtek M-216 Option P7 transmitter
  • Sony headphones

Camera hop*

  • Sennheiser SK 100 G3 receiver
  • Sennheiser EK 100 G3 transmitter


  • Denecke TS-C timecode slate
  • Tentacle Sync E timecode generators

Support equipment
  • Canare star-quad XLR cables with Neutrik anti-RF connectors
  • Sachtler audio bag
  • Versa-Flex audio bag harness
  • Sennheiser HD 25 headphones
  • Full apple box
  • Remote Audio boom pole holder for C-stands
I can supplement my kit with rented equipment from shops and owners I trust.

*These equipment are rented on my behalf.

Let’s get in touch.

Daniel Ignacio
Production sound for film & broadcast
Metro Detroit, Michigan
© Daniel Ignacio
Typeface by Horizon Type
Photos by Kellie Cassel, Sarah Poteracki, Yenna Hu
All info subject to change.